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Architecture of home
Očadlíková, Veronika ; Pospíšil, Jan (referee) ; Mléčka, Jan (advisor)
The thesis is based on monitoring how one represents, creating an environment, how one completes it, or how the human environment is created. When we ask ourselves what our home means for us, we knew we could give it the shape of space. We could describe it as a place where we like to be. Some questions arise. If there is any idea of living at home, if it is as personal, how does each of us perceive home in his intimacy as well? How did it become the architecture itself? The goal of the work is to translate the understanding of the home through a specific situation. I choose a village in Slovakia, Čechynce, which has more than 1000 inhabitants. The architectural design itself does not adapt to the creation of a home as a house. He wants to point out that the home is not in an isolated system of walls, but in an ability of distence and in a chance to return again.
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Slovene National Theatre in Ljubljana
Hujo, Marián ; Kozumplík, Vladimír (referee) ; Sochor, Jan (advisor)
The basic idea of project is design national Slovenian theater in Kongresni Trg square in Ljubljana in Slovenia. The building place is located in the middle of complex of historical buildings in the centre of city. I was creating new square which will be used like modern alternativ theater scene. Main theater building is the view point of theater. Flats, comercial places, caffe and restaurants are also components of the theater square.
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Playground
Haviarová, Kristína ; Sterec, Pavel (referee) ; Ambrůz, Jan (advisor)
In my work there is a great deal of handcuffing, conceptual approach to sculpture, space perception, aesthetic and intuitive work with material. I try to express a state that she can not always describe by words. All the knowledge and experience I have gained during my studies, I would like to apply to my bachelor work. Almost throughout my studies, I have been intensively engaged in plaster work as one of the basic sculptures. In exaggeration, we can talk about some obsession with the material. I deal with colorful but also structural deviations in different species. I work with it not only as a dense material but also as a material with a crust, but with a rough surface. It is some sort of rewinding into this material and through subtle objects and spatial installations I express the inner state, reaction to change and attitude to the environment. My final thesis will be a set of objects with interrelations but without a hierarchical arrangement. It will be about creating a stateless situation, variations in the state of a dead end. As part of the simple objects, gypsum "figures" will be the main actors of the already mentioned situation, with which they have to deal with themselves. I put in expectations that are never filled (static installation), a certain kind of tension occurs. However, gypsum does not have to play only the role of the main hero, it can be purely a part of an object based on aesthetic or sensual choice. I'm not trying to interact. The viewer is just an observer, the voyager who enters the frozen already. It can take the atmosphere and make a deliberate change into the situation of the main heroes of the work.
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#liminalcore
Surovková, Alexandra ; Zálešák, Jan (referee) ; Mikyta, Svätopluk (advisor)
The Bachelor's thesis consists of a series of paintings on canvas, paper, and objects printed using a 3D printer. Paintings invite the viewer to reflect on the influence of technology on our perception of ourselves, to consider ways in which we can maintain a sense of connection and authenticity in the digital age. Through my work, I attempt to offer an unconventional perspective on the theme of virtual loneliness. Aware of the growing popularity of internet phenomena such as liminal spaces and the uncanny valley, I utilize their aesthetic attributes as expressive means to evoke feelings of solitude and discomfort.
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Playground
Haviarová, Kristína ; Sterec, Pavel (referee) ; Ambrůz, Jan (advisor)
In my work there is a great deal of handcuffing, conceptual approach to sculpture, space perception, aesthetic and intuitive work with material. I try to express a state that she can not always describe by words. All the knowledge and experience I have gained during my studies, I would like to apply to my bachelor work. Almost throughout my studies, I have been intensively engaged in plaster work as one of the basic sculptures. In exaggeration, we can talk about some obsession with the material. I deal with colorful but also structural deviations in different species. I work with it not only as a dense material but also as a material with a crust, but with a rough surface. It is some sort of rewinding into this material and through subtle objects and spatial installations I express the inner state, reaction to change and attitude to the environment. My final thesis will be a set of objects with interrelations but without a hierarchical arrangement. It will be about creating a stateless situation, variations in the state of a dead end. As part of the simple objects, gypsum "figures" will be the main actors of the already mentioned situation, with which they have to deal with themselves. I put in expectations that are never filled (static installation), a certain kind of tension occurs. However, gypsum does not have to play only the role of the main hero, it can be purely a part of an object based on aesthetic or sensual choice. I'm not trying to interact. The viewer is just an observer, the voyager who enters the frozen already. It can take the atmosphere and make a deliberate change into the situation of the main heroes of the work.
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Architecture of home
Očadlíková, Veronika ; Pospíšil, Jan (referee) ; Mléčka, Jan (advisor)
The thesis is based on monitoring how one represents, creating an environment, how one completes it, or how the human environment is created. When we ask ourselves what our home means for us, we knew we could give it the shape of space. We could describe it as a place where we like to be. Some questions arise. If there is any idea of living at home, if it is as personal, how does each of us perceive home in his intimacy as well? How did it become the architecture itself? The goal of the work is to translate the understanding of the home through a specific situation. I choose a village in Slovakia, Čechynce, which has more than 1000 inhabitants. The architectural design itself does not adapt to the creation of a home as a house. He wants to point out that the home is not in an isolated system of walls, but in an ability of distence and in a chance to return again.
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Space-time breakdown in Julio Cortázar's fantastic tales
Krejčová, Veronika ; Poláková, Dora (advisor) ; Škodová, Denisa (referee)
As the title may reveal, my work will focus on space-time breakdowns in Julio Cortázar's (1914-1984) oeuvre. This Argentinian writer's work is centered mainly on the fantastic genre, specifically on tales. He is one of the most important representants of this genre in the zone of Río de la Plata, although for the most of his life he lived in Paris, where also many of his works were written. With help of other literary critics and theorists, I will try to define the space-time breakdowns in his creation. Tzvetan Todorov in his The Fantastic: A Structural Approach to a Literary Genre, distinguishes between three main categories: the strange, the fantastic and the marvelous. Another critic, Ana María Barrenechea, in her a little bit more vital theory divides the fantastic into these three categories: the natural, the unnatural and the mixture of both. As an example I will use four of Cortázar's tales. On those, I will apply the mentioned theories, nevertheless I will also point out the possible lack of clarity and obsolescence in them and will try to offer some new alternative solutions. David Roas, Spanish critic of fantastic literature, will be a great help. Is the space or time important in the literature? And what is that Cortázar's Fantastic feeling? I'll try to answer these questions and...
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Slovene National Theatre in Ljubljana
Hujo, Marián ; Kozumplík, Vladimír (referee) ; Sochor, Jan (advisor)
The basic idea of project is design national Slovenian theater in Kongresni Trg square in Ljubljana in Slovenia. The building place is located in the middle of complex of historical buildings in the centre of city. I was creating new square which will be used like modern alternativ theater scene. Main theater building is the view point of theater. Flats, comercial places, caffe and restaurants are also components of the theater square.
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